The Soviet revolution modernized the ancient , decrepit URSS Empire forced marches . Within thirty, forty years old continental power and rural anchored in previous centuries became a hotbed of experimental artists and new ideological and cultural schools, often attached to the forefront. It is also, though often part of his legacy , so far his hermetic world, we have been too sideways . And it's a shame .
Unknown.
Nikolai Ernestovich Radlov, Imaginary Portraits, 1933.
Kornei Ivanovich Chukovskii, Fairy tales, 1935.
Aleksandr Belyayev, Jump to nowhere, 1932.
V. Vasilev, N. Menshikov, and M. Kiriushina, Two years in the tundra, 1935.
Petr Mikhailovich Ershov, The Humpbacked Horse , 1933.
One hundred years of theater Aleksandrinski, 1932.
Boris Efimov, You find a solution, 1932.
Leonid Sergeevich Sobolev, Major repairs, 1933.
E. Kuznetsov, Circus, 1931.
Soldiers of the first call
Aleksandr Patreev, Tablitsa Krafta, 1934.
Boris Efimov, the enemy of the people, 1937.
The project White Sea Canal, 1933.
Antón Chéjov, The Cherry Orchard, 1933–1935.
Olga Forsh, The pole grip, 1930.
Viacheslav Shishkov, Green River, 1933.
Fedor Panferov, Bruski II, 1933.
Autor desconocido, Artistic culture of the Soviet, 1931.
Aleksei Demidov, The forest, 1933.
Fairytales of Armenia
Fur trade, 1931.
Grigorii Sannikov, Visit an Egyptian, 1933.
Boris Gorbatov, My generation, 1934.
Shurgan.
Nikolai Urvantsev, Two years in the Northland, 1935.
T. Boritskii, The conquest of the depths, 1934.
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